2 days ago
Welcome to our monthly roundup of the best fonts we’ve found online in the last four weeks. This month, there are fewer sans serifs, and a lot more display faces. Retro is as popular as ever, and the recent trend for organic shapes continues. Enjoy!
Exalted
Exalted is a geometric font with clean lines and sharp angles that make it feel simultaneously modern and timeless. It’s a typeface that lends clarity of purpose to text. It has nine weights, including three outline weights, plus accompanying italics.
ZT Talk
ZT Talk is a huge type family with 80 complete styles. There are eight weights, from light to black with accompanying italics, and five variant styles: Condensed, Semi Condensed, Normal, Semi Expanded, and Expanded.
Agna
Agna pays tribute to 18th-century French typography with its refined curves and crisp detailing. There are four optical sizes: Text, Subhead, Headline, and Display. Each optical size includes seven weights from Extralight to Black, plus matching italics.
TT Globs
TT Globs is a super-wide slab serif with a friendly, almost nonchalant character. It has just been updated to add Cyrillic support and an expanded character set. There are three styles: Extralight, Light, and Regular. There’s also a variable font available.
Collidge
Collidge is a retro font that’s great for branding projects ranging from sportswear to coffee shops. There are four styles: Regular, Rounded, Regular Outline, and Rounded Outline.
TT Supermolot Neue
TT Supermolot Neue is a dynamic, futuristic feeling font that is fantastic for UI designers. It has just been re-releasedwith expanded OpenType features, a larger character set, and more language support. There are 36 weights with accompanying italics, and a variable font is available.
Goodman
Goodman is a dynamic serif with enlarged brackets, creating a vibrant contrast between sharp serifs and curved strokes. It works well at display sizes, as well as for body text. There are six weights with accompanying italics.
00 Eckmania
00 Eckmania is a revival of an early 19th century typeface. It’s expressive and unique, especially at display sizes. It would be fantastic for branding a project that revolves around craft, or heritage products. It’s available as a variable font.
Supleix
Supleix is a sans serif filled with contradictions. The deceptively simple shapes began as geometric forms, then evolved as curves were introduced. It’s a great corporate typeface. There are currently four weights and matching italics.
Lader
Lader is a super-clean geometric sans serif. The deliberately sterile shapes are carefully crafted to be calm, confident, and pleasant. Use it for corporate logos. There are nine weights plus italics and a variable font version.
Raim
Raim is a stylized slab serif. Its large x-height, rounded forms, and high contrast all nod to wine bottle labels, and there are alternate characters featuring curves like vine fronds to complete the look.
Maligna
Maligna is a beautiful serif font packed with graceful curves and sharp details. It features a unique lowercase g that seems to hang on the baseline. There are seven styles plus accompanying italics. A variable font is available.
Kemri
Kemri is a delightful display font featuring dozens of beautiful ligatures and alternate characters that swirl around the letters, creating motion and points of focus in your text.
Classique
Classique is a high-contrast serif with a relaxed warmth. It’s a friendly, approachable typeface that works well across a range of sizes, from body text to headings. There are five weights plus italics.
Teenage Crookite
Teenage Crookite is a retro-style display font with exaggerated proportions. It’s bold and playful and would be a greatchoice for editorial work or even logo design.
Ben Moss
Ben Moss has designed and coded work for award-winning startups, and global names including IBM, UBS, and the FBI. When he’s not in front of a screen he’s probably out trail-running.
